CONTENT/SUMÁRIO

INÍCIO/INITIAL pdf

PREFACE pdf
Anelise R. Corseuil

 

INTERAÇÂO ENTRE LINGUAGENS: A CONSTRUÇÃO DO IMAGINÁRIO pdf
Tânia Franco Carvalhal

NOTORIOUS: HITCHCOCK’S GOOD NEIGHBOR FILM pdf
Arlindo Castro

THE GREAT WAR AND THE CINEMA pdf
Tom Burns

LINGUAGEM CINEMATOGRÁFICA E LÍNGUA: O MOSTRADO E O NOMEADO pdf
Mauro Eduardo Pommer

UMA VISÃO HISTÓRICA DE KING LEAR NA LITERATURA E NO CINEMA pdf
Thais Flores Nogueira Diniz

BROOKS/JACKSON’S LEVEL CLEOPATRA: PRODUCTION AND RECEPTION pdf
José Roberto O’Shea

BODILY ENCOUNTERS: GLORIA ANZALDÚA’S BORDEERLANS/LA FRONTERA pdf
Sandra Regina Goulart de Almeida

THE AUTOBIOGRAPHICAL EFFORT: IN SEARCH OF THE PERSON WITHIN pdf
Dilvio I. Ristoff

DON DELILLO’S NOVELS AND A “MCDONALDIZED” SOCIETY pdf
Giséle Manganelli Fernandes

“TO LUCIA WITH LOVE”: LUCIA AS EDUCATOR IN NERVOUS CONDITIONS pdf
Elisa S. Thiago

GENRE ANALYSIS: THE INTRODUCTION SECTION OF TWO LONGER TEXTS pdf
Maria Lucia Vasconcellos

 

BOOK REVIEWS/RESENHAS:

TRÊS ROMANCES DO FIM DO SÉCULO pdf
Arthur Nestrovski

NOTES ON CONTRIBUTORS pdf

 Edited by Anelise R. Corseuil